Showing posts with label Week 4. Show all posts
Showing posts with label Week 4. Show all posts

Thursday, February 5, 2015

Essay: Why Sindbad Doesn't Fit My Definition of a "Hero"


One thing I find particularly compelling about folktales and mythology is the role of heroes in them. I have a bit of a Romantic outlook on life and so I've always loved the idea of a hero who is both physically and ideologically superior to the people around them. I like it especially because I don't think it has the same capability to exist today in the world of guns and poisons and a thousand different ways to die that take no talent or ability. I like heroes from these tales most because they are heroes by virtue both of their personal characteristics and their individual capabilities with a sword or bow and arrow, or any other variety of weapon that requires skill. As such, and without much knowledge of Sindbad, I went into this unit kind of expecting more of this. Or even half of this. What I felt like I found was a generally typical man with no extraordinary circumstances who continually found himself getting lucky. He wasn't particularly capable with a weapon or morally righteous, but somehow seemed to always be the last one living. I guess you could argue that this is a skill in and of itself, but I had a hard time seeing it that way. What it ultimately felt like was an old man recounting stories that had grown in splendor and unlikeliness over the preceding 30 or 40 years. I don't think that necessarily says anything about the actual merit of the tales of Sindbad, but it was a stark difference from the Greek mythology I read in the previous unit. I also found that it really failed to teach much of a lesson at all, outside of "do whatever you want because it'll be other people that die". In conclusion, the plot of Sindbad itself was somewhat interesting and had a good amount of variety. Despite this, at the end of the day I felt myself disappointed by the lack of a real hero or lesson.



Tuesday, February 3, 2015

Reading Diary B: Voyages of Sindbad

Summary: I really feel like I'm just missing the point in these Sindbad stories. The more I read them the less I enjoyed them. I think that I just don't like the structure of a hero constantly being honored and achieving incredible things speaking about it in first person. In elementary school I was a bit of a braggart and ever since my grandpa sat me down and gave me a talking to I've been especially aware of what I perceive as bragging coming from myself and other people. Reading Sindbad just feels like listening to that guy at the high school reunion who wants people to know about all the incredible things he has done in life, even though most of them are definitely to good to be true. I did enjoy that his sixth and seventh voyages were at least tied together by the plot, I thought this plus the addition of complementary character that stayed around made it much more interesting.

Table of Contents:
The Voyages of Sindbad
The Arabian Nights' Entertainments by Andrew Lang and illustrated by H. J. Ford (1898).

Sindbad is taken to the elephant graveyard

Reading Diary A: Voyages of Sindbad

Topic: I had some sort of mixed feelings about Sindbad as a whole. I'm sure it's some sort of storytelling method, but I didn't particularly enjoy how each of his voyages mostly followed the same basic structure, even down to reuniting with the original captain and recovering his shipment of goods. I read Ovid's Metamorphoses previously and they seemed to more or less follow a constantly changing storyline, which I appreciated. I just found these stories too repetitive. I did enjoy the stories of Sindbad once he had become trapped in one place or another though, especially on the island with the one-eyed giants. It was definitely very interesting the parallels this story had to one of the tales of Odysseus. We aren't especially far into this class but I definitely feel as though repitition of themes and even plotlines is a very common thing across cultures. This could possibly be put down to plagiarism but I think a more benign explanation for it is that storytellers want to put tales in a context that their listeners will understand and appreciate. So if a storyteller from Baghdad heard the tale of Odysseus, it actually makes a lot of sense for him to translate it over to Sindbad so his listeners can relate better.

Table of Contents:
Voyages of Sindbad
The Arabian Nights' Entertainments by Andrew Lang and illustrated by H. J. Ford (1898).
The one-eyed giant that eats many of the sailors